Mike Stern / Victor Wooten Group
Porgy & Bess 21.00
First evening on 01.07. ONLINE TICKETS
In a career that spans three decades and a discography that includes more than a dozen eclectic and innovative recordings, six-time GRAMMY® nominee Mike Stern has established himself as one of the premier jazz and jazz-fusion guitarists and composers of his generation.
Born in Boston in January 1953, Stern grew up in Washington, DC, then returned to Boston to study at the Berklee College of Music. After college, he got his start as a guitar player with Blood, Sweat & Tears at age 22. Following a brief stint with Billy Cobham’s powerhouse fusion band from 1979 to 1980, he moved to New York City, where he was recruited by Miles Davis to play a key role in Miles’ celebrated comeback band of 1981 (which also included bassist Marcus Miller, drummer Al Foster, percussionist Mino Cinelu and saxophonist Bill Evans). During his three-year period with Miles, Stern appeared on three recordings with the jazz maestro – Man with the Horn, Star People and the live We Want Miles.
He toured with Jaco Pastorius’ Word of Mouth Band from 1983 through 1985 and returned to Miles’ lineup for a second tour of duty that lasted close to a year. In 1985, Stern recorded Neesh, his first recording as a leader, for the Japan-based Trio label.
A year later, he made his debut on Atlantic with Upside Downside, featuring such celebrated colleagues as David Sanborn, Jaco Pastorius, saxophonist Bob Berg, bassists Mark Egan and Jeff Andrews, keyboardist Mitch Forman and drummers Dave Weckl and Steve Jordan. Over the next two years, Stern was a member of Michael Brecker’s potent quintet, appearing on Don’t Try This At Home.
In the summer of 1986, Stern took to the road with David Sanborn and later joined an electrified edition of Steps Ahead, which featured Mike Mainieri on midi vibes, Michael Brecker on the Electronic Wind Instrument (EWI), Darryl Jones on electric bass and Steve Smith on drums.
Stern’s second Atlantic album, Time In Place (1988), delivered on the promise of his debut. He followed with Jigsaw (1989) and Odds Or Evens (1991), both of which ably showcased his legendary guitar prowess and musicality. During this period he also formed a touring group with Bob Berg that included drummer Dennis Chambers and bassist Lincoln Goines. They remained a working unit from 1989 to 1992, at which point Stern joined Michael and Randy Brecker in a reunited Brecker Brothers Band, appearing on Return of the Brecker Brothers, released in 1992.
Other notable sideman credits include work with the late tenor saxophonist Joe Henderson and the live recording 4 Generations of Miles, in which he joins other Miles Davis alumni George Coleman on tenor sax, Jimmy Cobb on drums and Ron Carter on bass.
The ‘90s proved to be a prolific and critically successful period for Stern. His acclaimed 1993 release, Standards (And Other Songs), earned him the pick of Best Jazz Guitarist of the Year by the readers and critics of Guitar Player magazine. He followed that up with two hard hitting offerings – Is What It Is in 1994 and Between The Lines in 1996 – both of which scored GRAMMY® nominations.
In 1997, he recorded Give And Take with bassist John Patitucci, drummer Jack DeJohnette, percussionist Don Alias and special guests Michael Brecker and David Sanborn. Their freewheeling covers of Sonny Rollins’ “Oleo,” John Coltrane’s “Giant Steps,” Cole Porter’s “I Love You” and Jimi Hendrix’s “Who Knows” helped Stern earn the Orville W. Gibson Award for Best Jazz Guitarist that year.
Stern’s ninth release for Atlantic was a six-string summit with colleagues Bill Frisell and John Scofield that was appropriately titled Play. His Voices (2001) release, his first foray into vocal music, was also another GRAMMY® nominee.
After 15 years with Atlantic, Stern shifted to ESC for the 2004 release of These Times, an eclectic set that included guest appearances by some high-profile session players – bassist Richard Bona, saxophonist Kenny Garrett and banjoist Bela Fleck.
Stern joined Heads Up International, a division of Concord Music Group, with the August 2006 release of Who Let the Cats Out? Regardless of who let them out, the cats are indeed loose on this album, and making a serious noise. Included on the guest roster are bassists Richard Bona (who handles vocals on two tracks), Anthony Jackson, Meshell Ndegeocello, Chris Minh Doky and Victor Wooten, trumpeter Roy Hargrove, saxophonists Bob Franceschini and Bob Malach, drummers Dave Weckl and Kim Thompson, harmonica player Gregoire Maret, and keyboardist/producer Jim Beard.
During the Festival International de Jazz de Montréal in June 2007, Stern joined the renowned Yellowjackets for some electrifying live performances. The dates served as the catalyst for Lifecycle, a Yellowjackets/Stern studio collaboration considered by many to be one of the most innovative and memorable jazz albums of 2008. The first Yellowjackets recording in 15 years to feature a guitar player, Lifecycle illustrates the kind of energy and creative brilliance that results when five talented players pool their individual skills as songwriters and musicians and merge into an entity that’s far greater than the sum of its parts.
In August 2009, Stern released Big Neighborhood. Aiding him in this latest chapter in his neverending quest for the new and better groove is a long list of talented guests: guitarists Steve Vai and Eric Johnson; bassist-vocalists Esperanza Spalding and Richard Bona; jamband godfathers Medeski Martin & Wood; drummers Dave Weckl, Terri Lyne Carrington, Cindy Blackman Santana and Lionel Cordew; bassists Chris Minh Doky and Lincoln Goines, saxophonists Bob Franceschini and Bob Malach, trumpeter Randy Brecker and keyboardist/producer Jim Beard. Big Neighborhood was also nominated for a GRAMMY® for Best Contemporary Jazz Album.
Set for release on June 19, 2012, All Over the Place is Stern’s latest recording. The 11-song set aligns the characteristically diverse and adventurous guitarist with a cadre of brilliant guests, including keyboardist/producer Jim Beard; trumpeter Randy Brecker; rhythm guitarist Leni Stern (Mike’s wife); percussionist Tim Keiper; saxophonists Kenny Garrett, Chris Potter, Bob Franceschini and Bob Malach; and drummers Dave Weckl, Keith Carlock, Lionel Cordew, Al Foster and Kim Thompson. Also on hand is a delegation of high-caliber electric and acoustic bass players: Esperanza Spalding, Richard Bona, Victor Wooten, Anthony Jackson, Dave Holland, Tom Kennedy, Will Lee and Victor Bailey.
Mike Stern – git
Victor Wooten – bass, vocal
Bob Franceschini – tsax
Derico Watson – dr, vocal
Victor Lemonte Wooten is a unique human being. Born the youngest of five boys, he began learning to play music at the tender age of two. He started performing in nightclubs and theaters as the bassist with the family band at age five, and at age six, was on tour with his brothers opening shows for legendary soul artist Curtis Mayfield. Soon after, he was affectionately known as the 8-year-old Bass Ace, and before graduating high school, he and his brothers had shared the stage with artists such as Stephanie Mills, War, Ramsey Lewis, Frankie Beverly and Maze, Dexter Wansel, and The Temptations. But, this only begins to tell the tale of this Tennessee titan.
Wooten, now a five-time Grammy winner, hit the worldwide scene in 1990 as a founding member of the super-group Bela Fleck and the Flecktones. Continuing to blaze a musical trail with the band, Victor has also become widely known for his own Grammy nominated solo recordings and tours. Among other things, he is a loving husband and father of four, a skilled naturalist and teacher, a published author, a magician and acrobat, and has won every major award given to a bass guitarist including being voted Bassist of the Year in Bass Player Magazine’s readers poll three times (the only person to win it more than once.) In 2011, Rolling Stone Magazine voted Victor one of the Top Ten Bassist of ALL TIME.
Victor Lemonte Wooten was born September 11, 1964 to military parents on an air force base outside of Boise, Idaho. Soon after, the family packed up and moved on as military families often do. It was during the years stationed in Hawaii that the brothers began performing as a five-piece band. With Regi on guitar, Roy on drums, Rudy on sax, Joseph on keys, and Victor on bass, the Wooten Brothers band was born. Performing in their front yard, the band immediately began honing their skills. Victor credits the brothers’ early ability to play a variety of musical genres to the experience of relocating frequently, the diversity of 1960’s radio stations, and the unwavering support of their parents who provided many opportunities and booked all of their performances.
“My brothers, who were already playing music, knew they needed a bass player to complete the family band. Regi started teaching me as soon as I could sit up straight, and my parents let him do it.” Victor has been heralded as “the Michael Jordan of the bass” and “one of the most fearless musicians on the planet.”
These qualities were evident when, in 1981, his older brother, Roy, recommended him as a bluegrass fiddle player for a job performing at a nearby amusement park. Victor, having never played violin in his life, was thrilled to meet the challenge. He borrowed an instrument from his high school orchestra teacher and immediately began practicing. Quickly learning the most popular fiddle tunes and techniques, he took the job at Busch Gardens’ The Old Country in Williamsburg, VA playing fiddle and bass in the Good Time Country Show.
“I remember getting that call from Roy. He trusted me. I had to learn to be a fiddler real quick, almost over night. I don’t think the people who hired me ever knew I’d never played before.”
What they soon found out was that the brothers were quickly becoming star attractions. The Wooten Brothers rapidly became staple figures and star attractions at the park throughout the 1980’s working in the German, Italian, Country and Bluegrass, and Americana shows.
The years 1980 and 1981 found the brothers performing for US troops overseas as the band for the Busch Gardens USO show. Traveling the world was an eye-opening time of learning for young Victor, but it was one summer performing in the country show that, unbeknownst to him, changed his life forever. That was when he became aware of a unique banjo player named Béla Fleck. “My brothers and parents were the foundation. They prepared me for just about anything by teaching me to keep my mind open and to learn to adapt.”
While messing around with a friend’s banjo between shows, the friend commented on Wooten’s unique banjo sound. Because the instrument is tuned different from a bass, Victor’s lines came out sounding pretty strange when he played his friend’s instrument. With a thick southern accent, the friend told him that he sounded just like a banjo player named “Baylor Fleck”. Wooten couldn’t imagine anyone playing a banjo that way, so he sought out to find out who this Baylor guy was. When he finally heard a recording of Béla’s band New Grass Revival, he was hooked.
In 1987, Victor traveled with his friend to Nashville, TN. During their short visit, he connected with the banjoist Fleck for the first time. After their initial meeting, Wooten and Fleck kept in touch and continued sharing musical ideas. In 1988, Wooten found himself living in Nashville. Later that year, Béla and Victor, along with Victor’s inventive brother Roy “Future Man” Wooten, and harmonica & piano wizard Howard Levy, formed the eclectic ensemble Béla Fleck and the Flecktones. With a dozen recordings under their belt, the band has created a completely new sound and has become known for its genre-defying music. Currently, over twenty years later, the band is still going strong.
“Musically, that means not being rigid and not having to play in a certain way.”
A few years after he began touring with the Flecktones, Victor released his first solo project, A Show of Hands. Recorded with only a 4-string bass, no multi-tracking, and a lot of groove and soul, this revolutionary CD was voted one of the most important bass records of all time.
Musicians wanting to learn Victor’s unique style and elusive techniques began seeking him out for lessons and seminars at music stores and schools around the world. These workshops became the training ground that lead to the formation of his acclaimed Bass/Nature Camp in 2000, which eventually expanded into Victor Wooten’s Center for Music and Nature. These “intensive” style programs, now in its thirteenth year, welcome all instrumentation and vocalists, and have helped thousands of people of all ages from all corners of the world enhance their musical and personal lives.
“People frequently thank us for sending their new spouses home.”
In 2009, Wooten Woods became the new home for all of Victor’s camps. The nearly 150-acre retreat, owned by Victor and his wife, is located on the beautiful Duck River west of Nashville, TN. This picturesque retreat center, largely built by the hands and hearts of past students, has provided many more opportunities for Victor and his staff to share their lifelong experiences with others.
“We give students the opportunity to completely let go and be themselves while congregating in a peaceful non-competitive manner on an equal playing ground with each other and their instructors. We’ve found this to be the best environment for learning.”
April 1st, 2008 marked the debut of two new releases by Victor Wooten. Palmystery (Heads Up) is his sixth solo recording and contains a collection of all new music. It features Bootsy Collins, Mike Stern, Keb Mo, Carl Denson, Jd Blair, Derico Watson, Saundra Williams, Anthony Wellington, Steve Bailey, Will Lee, Dennis Chambers, The Lee Boys, The Wooten Brothers, and others. The album showcases Wooten’s jazz composition and arranging skills with songs like “Two Timers”, ‘Flex’, and “Song for my Father”, but also brings to the forefront his artistically humble side with the celebratory track “Bass Tribute” and the thought provoking “I Saw God”.
On the same date, Victor released The Music Lesson-A Spiritual Search for Growth Through Music, a self-published novel about Life and Music. The book presold hundreds of copies before its release quickly becoming a “must-read” for musicians world-wide. The choice of using this unconventional approach to sharing unique ideas about music was a surprise to all. Offering an intriguing story full of anecdotes and mysticism, The Music Lesson has helped free the minds of musicians worldwide. Soon after its release, it was picked up and published by the Berkley Publishing Group/ Penguin USA Inc. Now translated into multiple languages, The Music Lesson is currently used as required reading and part of curriculums in study groups, schools, and universities including the prestigious Berklee College of Music and Stanford.
With the success of the book came the release of The Music Lesson audiobook (Tantor Audio). Victor lends his voice as the narrator and main character, but enlisted many of his friends and fellow musicians to read the parts of all the remaining characters. Victor also wrote and performed the musical score to the audio book, which was voted as a one of five finalists at the 2011 Audie Awards (the audio book’s equivalent to the Grammys) in the category of Personal Development.
“My mom always said the world needs more than just good musicians. She said we need good people.”
Wooten’s sought-after skills and growing popularity have lead to recordings and performances with artists such as Chick Corea, The Dave Matthews Band, Bootsy Collins, Branford Marsalis, Mike Stern, Prince, India Arie, Keb Mo, Dennis Chambers, Susan Tedeschi, Gov’t Mule, Bruce Hornsby, Stanley Clarke, Marcus Miller, Frank Gambale, the legendary Moroccan group Nass El Ghiwane, and many others.
His respected reputation as a teacher and speaker/lecturer on the subjects of both Music and Nature have garnered invitations for him to speak and teach at schools, universities, classes and spiritual centers around the world. Some of these places include Strathmore College, Berklee College of Music, Stanford University, Harvard, Mississippi State, Miami University, Middle Tennessee State University, The Haven (Gabriola Isle BC, Canada), Various Nature Centers and camps, and The NYC “Y” with Dan Levitin, author of “This Is Your Brain On Music”.
Along with recording Grammy winning and Billboard charting albums with Béla Fleck and the Flecktones, Victor also spearheaded the formation of the super-group SMV with two of his childhood heroes, Stanley Clarke and Marcus Miller. He continues to record and tour with the Flecktones, various other artists, and as a solo artist. He also currently leads six to eight camps at, Wooten Woods each year (which he takes part in all day every day). With all of this going on, it would seem like Victor Wooten would have no time for anything else, but that is not the case.
Taking matters completely into his own hands, Wooten has recently formed his own record label. Vix Records, Wooten’s self-proclaimed “Label of Love”, entered the scene in 2011 with a remastered version of his pioneering debut solo CD. The new version, A Show of Hands 15, contains three bonus tracks and is also released on vinyl.